Milad Aramnia

Milad Aramnia, Untitled, 'DeevGooneGi' series, 2022, acrylic on canvas, 48 x 60 in. Courtesy of the artist and Hamzianpour and Kia.

Hamzianpour & Kia is pleased to announce DeevGooneGi, an exhibition of new paintings by Milad Aramnia. DeevGooneGi marks the artist’s debut Los Angeles solo exhibition and announces his representation by Hamzianpour & Kia.

Opening reception: Saturday, March 11, 2023, from 4-8 pm

Exhibition preview: Friday, March 10, 11 am – 7 pm

The exhibition will be on display till April 01, 2023.

Hamzianpour and Kia is located in the Wilshire Miracle Mile at 5225 Wilshire Boulevard, Suite 212. The gallery's entrance is on Wilshire on weekdays.

On the opening day, please enter through the alley (Carling Way) behind the building.



Deevs are in love with the moon,

they are slaves to the moon, in love and willing to be melted into it.

Milad Aramnia


The show title is a portmanteau of the Persian words deev (beast) and deevoonegi (insanity), a term made up by the artist roughly translating to beastlies – that is, beasts insanely in love rather than cruel or coarse. The term deev is drawn directly from Persian mythology as beastly creatures existing alongside jinn (genies), peri(fairies), and shayatin (devils). The deev is unique as a beast in that they are shy, innocent creatures whose trust was often broken by heroes and protagonists, causing the deev to become violent. They are melancholic creatures deeply tied to humans, portrayed as villains, but are more accurately anti-heroes.

In his new paintings Milad Aramnia attempts to portray the complexity of these beasts through a traditional handling of acrylic paint and sensitive use of color and light. The paintings’ intense color combinations and varying surfaces cause their subjects to shimmer and come alive as the viewer moves in front of a painting, opening a portal and establishing a connection. The paintings become portraits of the beasts, portraits of the artist himself, and portraits of the viewer. Grotesque and horrible on their surface, the beasts in Aramnia’s paintings are delicate, coy, vulnerable creatures who are generally misunderstood. By overturning the deevs’evil associations, Aramnia puts them on display in a new light – one that praises their liberty, intelligence, and ferocious benevolence. His deep interest in the beasts and all creatures monsterly allows for a compassionate understanding of these ethereal beings.

The beasts’ eyes in the paintings look directly into the viewers’. Their bodies contort, their arms holding fruit, hiding their face, or caressing another beast. The beasts are compressed in the frames of the paintings as they wrestle with themselves and each other. Their horns are one of the few indicators that the viewer is looking at something otherworldly, otherwise they feel very familiar. Fierce and powerful, gentle and kind, the deevs are both what we want to be and what we fear becoming.

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Milad Aramnia (b. 1983, Tehran, Iran) is a painter and visual artist based in Los Angeles. He holds a BFA in painting from Tehran Art University, a postgraduate degree in Digital Illustration in New Media from the New York Fashion Institute of Technology, and an MFA in Intensive Studio Painting from the New York Academy of Art. He uses various materials – from oil on canvas, acrylic, and watercolor, as well as digital media and tools including virtual reality, augmented reality, and artificial intelligence – to create his visions into images. In 2019 he won the inaugural Virtual Reality Sculpting Championship in New York City and Tokyo.