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Tate Modern Exhibition

The Unilever Series: Juan Muñoz: Double Bind

12 June 2001 – 10 March 2002
Juan Munoz Double Bind

Juan Muñoz, Double Bind 2001

Photo credit: Marcus Leith

Juan Munoz Double Bind

Juan Munoz Double Bind

Juan Muñoz Double Bind 2001, man on ledge

Juan Muñoz Double Bind 2001

Juan Muñoz Double Bind 2001

Juan Muñoz Double Bind 2001

Juan Muñoz Double Bind, 2001

Juan Muñoz Double Bind, 2001

The second commission in The Unilever Series, created for the Turbine Hall at Tate Modern, was completed by the Spanish artist Juan Muñoz and opened to the public on 12 June. Muñoz created a new installation that dramatically alters the 155 metres long x 35 metres high (500 x 115 feet) space. The work presents the viewer with a series of intriguing scenarios, which play on perspective and illusion, visibility and invisibility.

Titled Double Bind, the installation is divided into two parts. On the upper, bridge level of the Turbine Hall, the visitor sees, beyond a balcony rail, a patterned floor, through which two elevators rise and descend, locked in perpetual motion. The floor appears to be pierced with a series of large black holes or shafts, some of which are illusions.

Below, the atmosphere darkens. Pools of light fall from the shafts, while the elevators glide into the subterranean gloom. Moving further into the lower space, it becomes apparent that the shafts above are inhabited by a cast of sculpted figures. Their expressions and actions remain unclear, as does our own role in their private drama.

Juan Muñoz is renowned for sculptural works in which he situates the human figure within elaborate or complex architectural settings. These are created using elements such as patterned floors, staircases and balconies. Then, by a highly considered placement of the figures, Muñoz entices the viewer into an engagement with the implied dramas unravelling within. The architectural features, such as the shafts and the balcony in Double Bind, also serve as metaphors, particularly the balcony which, in Muñoz's art, operates as a form of threshold, between spectator and performer, past and future, and subject and object.

The first commission in The Unilever Series was undertaken by Louise Bourgeois and was displayed in the Turbine Hall for the opening in 2000. Unilever's support, totalling £1.25 million, will allow Tate Modern to commission a new large-scale work for the Turbine Hall each year until 2004.

A beautifully illustrated book (paperback price £16.99) accompanies the exhibition. The book describes the evolution of Double Bind with a visual essay by the artist, and includes texts by Susan May and James Lingwood, along with stunning photographs of the installation.

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Dates

12 June 2001 – 10 March 2002

Sponsored by

Unilever

Unilever

Find out more

  • Exhibition banner for Juan Munoz A Retrospective Tate Modern

    Juan Muñoz A Retrospective

    Juan Muñoz A Retrospective; past exhibition at Tate Modern

  • Juan Munoz Performing a piece at PS One New York 1982 one

    The restless storyteller

    James Lingwood

    He was said to be one of the ‘most ingenious artists of his generation’ and someone who had ‘an infectious fascination for the world about him’, but Juan Muñoz (1953–2001) described himself simply as a storyteller. His enigmatic sculptural installations, often populated by figures, have perplexed and delighted audiences in equal measure. To coincide with the survey exhibition of his work at Tate Modern, Tate Etc. speaks to James Lingwood, who knew the artist well and collaborated with him on many projects

  • The Unilever Series: Juan Muñoz

    The Unilever Series: Juan Muñoz: press related to past exhibition.

  • Artist

    Juan Muñoz

    1953–2001
Artwork
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