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Free Display

Performer and Participant

Discover how artists working between the 1960s and the 1990s opened up new spaces for participation

  • About
  • Rooms
  • Highlights

Mari Katayama, bystander #14 2016, printed 2021. Tate. © Mari Katayama.

Action – both individual and collective – is at the heart of the works within this display. Sometimes the work takes the form of a proposal for an action or the record of a past event or performance. Elsewhere viewers are invited to activate an artwork using their bodies. Artworks shown here include a mix of intimate individual acts, choreographed actions in which participants are directed by an artist and political activism.

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Tate Modern
Blavatnik Building Level 3

Getting Here

Ongoing

Free

9 rooms in Performer and Participant

Beijing East Village

Beijing East Village

Explore performances and photographs created in Beijing’s ‘East Village’, where experimental artists were inspired by and worked with each other.

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black and white image of negetive film still showing two people in a bathroom with off cuts of hair on their bodies and head

© RongRong

Mari Katayama

Mari Katayama

Mari Katayama uses her body and the materials she finds around her to make self-portraits, embroidered objects and living sculptures

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Mari Katayama, bystander #23 2016, printed 2020. Tate. © Mari Katayama.

Gutai

Gutai

Learn how the Gutai artists playfully experimented with expanded forms of painting, performance and installation

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black background with a figure dressed in white in the foreground. One arm is curved over their head and the second poitning away from their body.

Kiyoji Otsuji, Tanaka Atsuko, Electric Dress, 2nd Gutai Exhibition 1956, printed 2012. Tate. © reserved.

Performing Genders, Performing Selves

Performing Genders, Performing Selves

How do you perform your identity? The artists in this room reflect on how gender and identity are constructed and enacted: a kind of performance of the self

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© Lynn Hershman Leeson

Explore Art and Activism

Explore Art and Activism

Discover how artists have responded to issues facing the world around them

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Visitors in the Performer and Participant display at Tate Modern

© Rikard Österlund

Edward Krasiński

Edward Krasiński

Discover the innovative theatrics of the Polish artist Edward Krasiński

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Installation shot of Edward Krasiński display at Tate Modern

Photo © Tate (Andrew Dunkley)

Pipilotti Rist

Pipilotti Rist

Enter a magical world where humans, animals and plants interact in mesmerising ways

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Corner of a large room, carpet on the floor with people lying on bean bags, large screen with image of extreme close up of an eye and a face.

Photo © Tate (Matt Greenwood)

Petrit Halilaj

Petrit Halilaj

This monumental installation evokes a fantastical world inhabited by whimsical winged creatures embodying hope and renewal

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Photo © Tate (Jai Monaghan)

Monster Chetwynd

Monster Chetwynd

The artist uses the costumes and props in this display to create joyful, humorous and chaotic performances

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Photo © Tate (Lucy Dawkins)

Pipilotti Rist, Lungenflügel  2009

1/6
highlights in Performer and Participant

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Petrit Halilaj, Do you realise there is a rainbow even if it’s night!? (grey and warm yellow)  2017

2/6
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Ulay, S’He  1973

The photographs in the Renais sense series were originally shot as Polaroids. Ulay described these early self-portraits as ‘Auto-Polaroids’, spontaneous actions made specifically for the camera which allowed him to experiment with his idea of ‘the self’ as complex and permanently under construction. He said, ‘Taking Polaroids was a performative act for me: I performed in front of the camera. These were intimate actions, carried out in the absence of a live audience, ephemeral in nature, yet arrested in time.’

Gallery label, November 2022

3/6
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Yuko Nasaka, Untitled  1964

This work is comprised of eight plaster panels. Nasaka Yūko placed each one onto a mechanical turntable, inspired by the potter’s wheel. As it rotated, she carved patterns into the plaster using a palette knife. She then applied a layer of dark-blue silver lacquer to the surface. Nasaka was part of the second generation of Gutai artists who experimented with technology. Much of their work used industrial materials and techniques, referencing Japan’s rapid economic growth.

Gallery label, December 2020

4/6
highlights in Performer and Participant

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Mari Katayama, I’m wearing little high heels, I have child’s feet  2011, printed 2018

I’m wearing little high heels and I have child’s feet feature Katayama posed in her bedroom in Gunma, Japan. She is surrounded by personal possessions – including clothing, fabrics and sewing equipment – and a life-sized, embroidered soft sculpture in the shape of a human body. Both photographs closely relate to Katayama’s work as an activist and public speaker. Frustrated by the fact that high heels for wearers of prosthetic limbs were not readily available, Katayama began to make her own. The work developed into the High Heel Project, where she documents her process of making and wearing high heels with artificial legs.

Gallery label, October 2023

5/6
highlights in Performer and Participant

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RongRong, 1994 No. 11 (Zhang Huan)  1994

6/6
highlights in Performer and Participant

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Highlights

T16113: Lungenflügel
Pipilotti Rist Lungenflügel 2009
T15460: Do you realise there is a rainbow even if it’s night!? (grey and warm yellow)
Petrit Halilaj Do you realise there is a rainbow even if it’s night!? (grey and warm yellow) 2017
P14295: S’He
Ulay S’He 1973
T14778: Untitled
Yuko Nasaka Untitled 1964
P15466: I’m wearing little high heels, I have child’s feet
Mari Katayama I’m wearing little high heels, I have child’s feet 2011, printed 2018
P82593: 1994 No. 11 (Zhang Huan)
RongRong 1994 No. 11 (Zhang Huan) 1994

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See all 80 artworks in Performer and Participant

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