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Back to Materials and Objects

© Meschac Gaba / Photo © Tate (Jai Monaghan)

Meschac Gaba

9 rooms in Materials and Objects

  • Collage
  • David Hammons
  • Marcel Duchamp
  • Barbara Chase-Riboud and Robert Motherwell
  • Robert Gober
  • Leonor Antunes
  • Meschac Gaba
  • Nalini Malani
  • Salvador Dalí and Robert Zhao Renhui

What happens when objects of spiritual and personal significance are displayed in a museum?

Meschac Gaba brings together over 75 objects related to various world religions and cultures. Symbols of Buddhism, Christianity, Islam, Judaism, Hinduism, Vodún and other traditional African faiths are arranged on shelves of a cross-shaped wooden structure. This room also includes a table and chairs used for Tarot card readings.

Art has long played an important role in the teaching and dissemination of religion. Gaba comments that in contemporary Benin, where he is from, most people are poly-religious: ‘Catholics brought Christianity, but for my ancestors Catholicism and Voodoo are not different ... You will see sculptures of angels, of Jesus Christ, and the Mami Wata all in the same house.’

In his museum-within-a-museum, Gaba challenges the expectations and boundaries of what’s perceived as art and as religious artifacts. We see empty beer bottles, a child’s plastic toy doll, mirrors, crystals, a piggy bank, reminding us that everyday objects can carry spiritual significance. Removing them from their original contexts and presenting them in a gallery space, Gaba reveals the power museums have to create and dictate value. For the artist, inspiration comes from daily life, ‘because in daily life you find new things, you find traditional things, you find everything.’

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Tate Modern
Natalie Bell Building Level 4 West
Room 9

Getting Here

Ongoing

Free

Meschac Gaba, Art and Religion Room From Museum of Contemporary African Art  1997–2002

The Art and Religion Room is one section of Meschac Gaba’s multi-part installation the Museum of Contemporary African Art 1997–2002. The Art and Religion room consists of wooden shelves arranged in a cross formation. Numerous religious and spiritual objects representing a wide range of beliefs are arranged on the shelves, with a row of brightly coloured taper candles secured to the top of the structure. When the room has been shown previously, a tarot card reader was seated inside the room during the exhibition opening, reading the fortunes of visitors.

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Meschac Gaba Art and Religion Room From Museum of Contemporary African Art 1997–2002
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