Skip navigation

Main menu

  • What's on
  • Art & Artists
    • The Collection
      Artists
      Artworks
      Art by theme
      Media
      Videos
      Podcasts
      Short articles
      Learning
      Schools
      Art Terms
      Tate Research
      Art Making
      Create like an artist
      Kids art activities
      Tate Draw game
  • Visit
  • Shop
Become a Member
  • DISCOVER ART
  • ARTISTS A-Z
  • ARTWORK SEARCH
  • ART BY THEME
  • VIDEOS
  • ART TERMS
  • SCHOOLS
  • TATE KIDS
  • RESEARCH
  • Tate Britain
    Tate Britain Free admission
  • Tate Modern
    Tate Modern Free admission
  • Tate Liverpool + RIBA North
    Tate Liverpool + RIBA North Free admission
  • Tate St Ives
    Tate St Ives Ticket or membership card required
  • FAMILIES
  • ACCESSIBILITY
  • SCHOOLS
  • PRIVATE TOURS
Tate Logo
Become a Member

Adrian Heath

1920–1992

Composition, Blue, Black and Brown 1952
© The estate of Adrian Heath
License this image
In Tate Britain

Modern and Contemporary British Art

In Tate Britain

Prints and Drawings Rooms

2 artworks by Adrian Heath
View by Appointment

Biography

Adrian Heath (1920–1992) was a 20th-century British painter.

Heath was born in Burma and attended Bryanston School in Dorset, southern England. In 1938, he studied art under Stanhope Forbes at Newlyn. In 1939 and 1945–47, he attended the Slade School of Art. He served in the RAF as a tail gunner in a[Wellington bomber in World War II, but spent almost the entire war as a prisoner of war at Stalag 383. During this period he became friends with and taught fellow POW Terry Frost to paint.

In 1949 and 1951, he visited St Ives, Cornwall, where he met Ben Nicholson. In the early 1950s, he was also associated with Victor Pasmore and Anthony Hill. As such he became the main link between the emerging St Ives School and British Constructivism. He was also influenced by D'Arcy Thompson. In 1953 Heath published 'Abstract Painting: its Origins and Meaning' a slim but perceptive volume appraising the development of abstraction by the early moderns.

He exhibited at the Musée Carcassonne in 1948, and at the Redfern Gallery, London, from 1953, together with other galleries in London. His work is in the collections of the Tate Gallery and the Hirshhorn Museum, Washington DC.

Heath taught at Bath Academy of Art (1955–76) and the University of Reading (1980–85). He was artist in residence at the University of Sussex in 1969 and a senior fellow at the Glamorgan Institute of Higher Education, Wales (1977–80).

Heath was a member of 56 Group Wales from 1978 to 1982.

Adrian Heath painted abstract and semi-abstract pictures in oils and acrylic paints. He was also a collagist and constructivist.

Adrian and his wife Corinne were also campaigners to preserve the character and heritage of Fitzrovia where they lived for many years. Adrian and Corinne were founder members of the campaign group The Charlotte Street Association who fight to increase social housing and preserve the character the area around Charlotte Street and in Fitzrovia.

This biography is from Wikipedia under an Attribution-ShareAlike Creative Commons License. Spotted a problem? Let us know.

Read full Wikipedia entry
British Constructivism

Artworks

Left Right
  • Study

    Adrian Heath
    1964
    View by appointment
  • Composition - Black and Yellow

    Adrian Heath
    1952
    View by appointment
  • Painting Brown and Black

    Adrian Heath
    1960
  • Drawing 1964 (Divided Blue)

    Adrian Heath
    1964
  • White Collage

    Adrian Heath
    1954
    On display at Tate Britain part of Modern and Contemporary British Art
  • Composition, Blue, Black and Brown

    Adrian Heath
    1952
Artwork
Close

Join in

  • Twitter
  • Facebook
  • YouTube
  • Instagram
  • Pinterest
Sign up to emails

Sign up to emails

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Tate’s privacy policy

About

  • About us
  • Our collection
  • Terms and copyright
  • Governance
  • Picture library
  • ARTIST ROOMS
  • Tate Kids

Support

  • Tate Collective
  • Members
  • Patrons
  • Donate
  • Corporate
  • My account
  • Press
  • Jobs
  • Accessibility
  • Privacy
  • Cookies
  • Contact
© The Board of Trustees of the Tate Gallery, 2025
All rights reserved