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Tate Papers ISSN 1753-9854

Tate Papers no.26 Autumn 2016

This issue contains four very different articles that explore the ways in which artists, writers, conservators and galleries have acted in response to constraints and pressures, be they political, material or self-imposed. Covering a broad range of artistic practices from the 1950s to present day, these papers cast a spotlight on the institutional conditions that shape the production, exhibition and conservation of art, from the US State Department’s sponsorship of abstract expressionism, to the contemporary collecting practices of international museums.

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In this Issue

    Through The Large Glass : Richard Hamilton’s Reframing of Marcel Duchamp

    Bryony Bery

    Pacing the Cell: Walking and Productivity in the Work of Bruce Nauman

    Ruth Burgon

    Placing Bookmarks: The Institutionalisation and De-Institutionalisation of Hungarian Neo-Avant-Garde and Contemporary Art

    Maja and Reuben Fowkes

    Meyer Schapiro, Abstract Expressionism, and the Paradox of Freedom in Art Historical Description

    C. Oliver O’Donnell

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