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Tate Papers ISSN 1753-9854

Tate Papers no.24 Autumn 2015

This issue explores two distinct themes: the internationalism of pop art in the 1960s and 1970s and the writings of the nineteenth-century critic William Hazlitt. Works by pop artists from Argentina, Brazil, France and Yugoslavia are examined in relation to local and global contexts, while Hazlitt’s aesthetic theories, rhetorical devices and literary influences are analysed through close readings of individual texts. Complementing the papers on pop art is an article investigating the wax effigies created by American artists Paul Thek and Lynn Hershman Leeson.

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In this Issue

    Screen Politics: Pop Art and the Atelier Populaire

    Liam Considine

    Pop Art and the Socialist ‘Thing’: Dušan Otašević in the 1960s

    Branislav Dimitrijević

    A Pantagruelian Pop: Teresinha Soares’s ‘Erotic Art of Contestation’

    Sofia Gotti

    Performing Pop: Marta Minujín and the ‘Argentine Image-Makers’

    Catherine Spencer

    Biopolitical Effigies: The Volatile Life-Cast in the Work of Paul Thek and Lynn Hershman Leeson

    Milena Tomic

    William Hazlitt’s Account of ‘Mr Angerstein’s Collection of Pictures’

    Susanna Avery-Quash

    ‘A gallery in the mind’? William Hazlitt, Edmund Spenser and the Old Masters

    Luisa Calè

    Critical Dilation: How William Hazlitt Judged Paintings

    Paul Hamilton

    ‘Truth of Character from Truth of Feeling’: William Hazlitt, ‘Gusto’ and the Linguistic History of Writing on Art

    Paul Tucker

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