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Tate Papers ISSN 1753-9854

Tate Papers no.18 Autumn 2012

This issue explores how drawing has been used by artists to record and represent unconscious or invisible forces that go undetected by the senses. Other topics include the reception of Anthony Van Dyck's work in France, the sexual imagery in the early work of John Everett Millais, and Allan Sekula's realist critique of postmodernism in Fish Story.

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In this Issue

    Index, Diagram, Graphic Trace: Involuntary Drawing

    Margaret Iversen

    Lightning and Rain: Phenomenology, Psychoanalysis and Matisse’s Hand: Involuntary Drawing

    Ed Krčma

    Becoming Machine: Surrealist Automatism and Some Contemporary Instances: Involuntary Drawing

    David Lomas

    Wavelength: On Drawing and Sound in the Work of Trisha Donnelly: Involuntary Drawing

    Anna Lovatt

    Drawing in the Dark: Involuntary Drawing

    Susan Morris

    Van Dyck and France under the Ancien Régime 1641–1793

    Guillaume Faroult

    Production in View: Allan Sekula’s Fish Story and the Thawing of Postmodernism

    Bill Roberts

    Sugar, Salt and Curdled Milk: Millais and the Synthetic Subject

    Carol Jacobi

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