Skip navigation

Main menu

  • What's on
  • Art & Artists
    • The Collection
      Artists
      Artworks
      Art by theme
      Media
      Videos
      Podcasts
      Short articles
      Learning
      Schools
      Art Terms
      Tate Research
      Art Making
      Create like an artist
      Kids art activities
      Tate Draw game
  • Visit
  • Shop
Become a Member
  • DISCOVER ART
  • ARTISTS A-Z
  • ARTWORK SEARCH
  • ART BY THEME
  • VIDEOS
  • ART TERMS
  • SCHOOLS
  • TATE KIDS
  • RESEARCH
  • Tate Britain
    Tate Britain Free admission
  • Tate Modern
    Tate Modern Free admission
  • Tate Liverpool + RIBA North
    Tate Liverpool + RIBA North Free admission
  • Tate St Ives
    Tate St Ives Ticket or membership card required
  • FAMILIES
  • ACCESSIBILITY
  • SCHOOLS
  • PRIVATE TOURS
Tate Logo
Become a Member

Tate Papers ISSN 1753-9854

Tate Papers no.14 Autumn 2010

Read about William Blake’s exhibition of 1809, drawing as a modern art practice, and the concept of the sublime. The issue also has articles on the Russian artists Naum Gabo and Liubov Popova, and on the British artist Richard Hamilton.

  • Twitter
  • Facebook
  • Email

In this Issue

    Naum Gabo as a Soviet Émigré in Berlin

    Christina Lodder

    Liubov Popova: From Painting to Textile Design

    Christina Lodder

    Richard Hamilton’s The annunciation

    Fanny Singer

    Damien Hirst’s Shark: Nature, Capitalism and the Sublime

    Luke White

    William Blake’s 1809 Exhibition

    Martin Myrone and David Blayney Brown

    An Alternative National Gallery: Blake’s 1809 Exhibition and the Attack on Evangelical Culture

    Susan Matthews

    Lost in the Crowd: Blake and London in 1809

    Philippa Simpson

    Reasoned Exhibitions: Blake in 1809 and Reynolds in 1813

    Konstantinos Stefanis

    Surviving Reality: Lee Bontecou’s Worldscapes

    Jo Applin

    Dust and Doubt: The Deserts and Galaxies of Vija Celmins

    Stephanie Straine

    Cinematic Drawing in a Digital Age

    Ed Krčma

    Merzzeichnung: Typology and Typography

    Michael White

    ‘Suffer a Sea-Change’: Turner, Painting, Drowning

    Sarah Monks

    Listening for the Sublime: Aural-Visual Improvisations in Nineteenth-Century Musical Art

    Charlotte Purkis

    ‘Waste Dominion’, ‘White Warfare’, and Antarctic Modernism

    Mark Rawlinson

    Video Games and the Technological Sublime

    Eugénie Shinkle

    Ideas in Transmission: LeWitt’s Wall Drawings and the Question of Medium

    Anna Lovatt

Artwork
Close

Join in

  • Twitter
  • Facebook
  • YouTube
  • Instagram
  • Pinterest
Sign up to emails

Sign up to emails

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Tate’s privacy policy

About

  • About us
  • Our collection
  • Terms and copyright
  • Governance
  • Picture library
  • ARTIST ROOMS
  • Tate Kids

Support

  • Tate Collective
  • Members
  • Patrons
  • Donate
  • Corporate
  • My account
  • Press
  • Jobs
  • Accessibility
  • Privacy
  • Cookies
  • Contact
© The Board of Trustees of the Tate Gallery, 2025
All rights reserved