Tate Papers no.2 Autumn 2004

Contemporary Art and the Role of Interpretation

Helen Charman and Michaela Ross

New Media Art and the Gallery in the Digital Age

Charlie Gere

Paintings on Canvas: Lining and Alternatives

Stephen Hackney

‘The Veriest Poem of Art in Nature’: E. A. Hornel’s Japanese Garden in the Scottish Borders

Ysanne Holt

Conservation Concerns for Acrylic Emulsion Paints: A Literature Review

Elizabeth Jablonski, Tom Learner, James Hayes and Mark Golden

Awkward Relations

Neil Mulholland

Judd through Oldenburg

Richard Shiff

The Materials Used by British Oil Painters in the Nineteenth Century

Joyce H. Townsend

Kenneth Armitage’s Pandarus (version 8)

Toby Treves